Fiddler on the Roof



Major Productions

Below is a list of Broadway, London and touring productions in the database. For a complete list, including regional, click here or at the bottom of the Productions box.

Original Broadway Production (1964)
New York, NY
1st National Tour (1966)
London Production (1967)
London, England
2nd National Tour (1968)
Bus & Truck Tour (1969)
Music Fair Circuit Production (1971)
Broadway Revival (1976)
New York, NY
Touring Revival (1977)
Broadway Revival (1981)
New York, NY
London Revival (1983)
London, England
Broadway Revival (1990)
New York, NY
Regional Tour (1993)
London Revival (1994)
London, England
30th Anniversary Tour (1994)
Radio Broadcast (1998)
London, England
Broadway Revival (2004)
New York, NY
Australian Tour (2005)
London Revival (2007)
London, England
National Tour (2009)
Broadway Revival (2015; announced)
New York, NY

Full list

Songs

Click on the title for info on the song.


Listed as a musical number in some productions


Cut prior to Broadway


Cut After Washington, D. C.


Cut prior to rehearsals


Cut during rehearsal


Derived from show music


Written for film version, but unused


Added to 2004 Broadway Revival


Studio Cast Recordings

Recordings listed here were done in the studio specifically to release as recordings. They do not represent cast recordings of a particular production.

London Studio Cast (1967)
Bernard Spear, Stella Moray, Lorraine Smith, Tony Adams (i), Tony Adams (i)
Orbis Musicals Collection Cast (1996)
Len Cariou, Sara Kestelman, Miriam Karlin, Judy Kaye, Maria Charles

Demos & Pre-Production Recordings

Authors

Original Authors

Book...
Lyrics...
Music...

Later Contributors

There are no known writers who contributed to revisions, etc. following the original production.
GENRE: Musical Play

Versions


Source Material

Based on Sholem Aleichem's Tevye Stories with permission from Arnold Perl.


Synopsis

Attempting to live a normal life filled with Jewish traditions in early twentieth century Russia, Tevye , a dairyman, is searching for appropriate husbands for his three eldest daughters – Tzeital, Hodel and Chava. In a break of tradition, his daughters refuse to accept the wishes of the matchmaker, Yente, and their father. Instead, the marry men that they love. Meanwhile, Russians are instigating terrible pogroms against the Jewish people in Russia. In the end, the Jews of Anatevka are forced to leave their homes and Tevye is determined to start a better life in a new land.


Alternate Titles

Anatevka (German title)
El violinista en el tejado (Spanish title)
Sumar na Strese (Czech title)
Tevye (working title)
Tevye and his Daughters (working title)
Un violon sur le toit (French title)

Trivia & History

  • The first version of 'Anatevka' was a happy song, a portion of which was slowed down and became the basis for the final version. It was always thought to be titled 'Letters from America' because those words begin the first stanza and the very last stanza. Mr. Harnick, in checking his records, found (to his own surprise) that 'Letters from America' (written in 1962) was never the title and that it was called 'Anatevka' from the very beginning (including the Detroit tryout program).
  • It should be noted there were five versions of 'Anatevka', some similar to others and all using some of the same elements. Yet the first version is so different from the final they might as well be two different songs.
  • The song, 'Fiddler on the Roof', was given lyrics for a pop version, the music being taken from the 'Fiddler's Theme' used in the Prologue, Epilogue and as a part of 'Tradition'. While the theme was used in the show, the lyrics for this popular version were not. The music for the theme was from the middle section of a cut song titled "We've Never Missed a Sabbath Yet."
  • In the Detroit program a song 'A New World' was listed, but there is no such song. This was the title for a planned song but it was never written. There were many additional unused songs but these were written very early and discarded long before rehearsals. Some were just different lyrics to the same melody while others were variations of songs and and still others were completely different songs.
See more

Related Shows

External Links

  • No external links

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